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Showing results for tags 'video'.
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FDI Wunder: fonts for fairy tales and a touch of magic // LLC1541
Letter Library posted a publication in Type Specimens
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“Tiny video made for the release of FF Kosmik. Soundtrack by Just van Rossum. Size and length were determined by the capacity of a floppy disk that it was mailed on.”
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Filmed by Gloow Music by Jasmine Cara
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Typeface/Photography: Neil Summerour Animation: John & Tamara Robson, Latelunch.tv Music: Hippie by AEROC, licensed through Ghostly Songs Special Thanks to Corey Holms
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XXII CoolScript: The vibrant typeface with a ton of alternates // LLC94
Letter Library posted a publication in Type Specimens
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Original credits: An animal typeface that lets the animal dictate the shape of the letter, instead of using an existing font and adding added tails and whiskers. Fabel has no clipped wings and no cropped tails, each animal is showcased at it’s best: wings spread, feathers ruffled, claws sharp and backs straight. With the diversity of Earth’s wildlife in a full Latin character set with both upper and lower case, Fabel fills out the ABC, from the A of Anteater to the Z of Zander. Animation by Francois Cauderlier, at Calango.
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Karloff, convergence of beauty and ugliness // LLC74
Letter Library posted a publication in Type Specimens
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Original credits: Julien, a playful geometric display typeface loosely inspired by the early 20th century avant-garde. Animation: Peter Biľak Music: Moby, from I Like To Score, Mute Records Ltd, 1997.
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Pangea, the typeface that tries to improve the world, now has Italics // LLC67
Letter Library posted a publication in Type Specimens
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Original credits: Say hello to Anya Danilova’s Rezak font family, a jaunty and daring Latin and Cyrillic typeface that includes an incised version and icons — a full-fledged design for logotypes, packaging, movies, children’s books, and gaming. Nothing is hidden in the simplistic forms and overt aesthetic of Anya Danilova’s Rezak font family. Rezak is not a type family directly from the digital world, but was inspired by the stout presence of cutting letters out of tangible material: paper, stone, and wood. With only a few cuts, the shapes remain dark and simple. With more cuts, the shapes become lighter and more defined, resulting in a dynamic type family not stuck within one specific category. Rezak includes a total of ten styles: four weights and matching italics for text setting (Regular, Semibold, Bold and Extrabold), and the Black and Incised display styles. All ten styles cover two scripts, Latin and Cyrillic. Type Design: Anya Danilova Motion Design by: Cecilia Brarda
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Original credits: As one of the most widely applicable creations from José Scaglione and Veronika Burian, the Aneto and Aneto Text font families are long-awaited editorial polymaths, able to quell the territory of thought and page design with a peaceful force. This memorable serif results in flawless screen rendering, warm print production, and smooth readability. Displaying lessons learned from several hundred years of pedigree, the Aneto family has a taller x-height and enlarged counters for better readability, but shortened ascenders and descenders to pack in more letters per line. Aneto Text and Aneto are two families built upon the same skeleton and distinguished by their letter contrast to guide their appropriate use. The variable font versions reinforce correct usage with their two axes: character weight and optical size. Design: José Scaglione & Azza Alameddine & Roxane Gataud & Veronika Burian Motion design: Cecilia Brarda
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A Typeface for the World: Adelle Sans Multiscript // LLC62
Letter Library posted a publication in Type Specimens
Original Credits: Nearly a decade after Adelle Sans Latin was first published, we are proud to share with you our even-more-expanded multiscript Adelle Sans family. Designed through the joint effort of now three dozen experts, Adelle Sans supports eleven writing systems and over 400 languages, making it the go-to typeface for international brands and products in the digital and physical world. We are excited to invite you — again — to see the unparalleled global reach of our multiscript Adelle Sans family. Type Design Azza Alameddine (Arabic) Veronika Burian Suppakit Chalermlarp (Lao) Jan Charvát (Georgian) Yan Cui, FounderType (Chinese) Vera Evstafieva (Cyrillic) Roxane Gataud (Latin Extended) Gor Jihanian (Armenian) Erin McLaughlin (Devanagari) Octavio Pardo (Cyrillic) Li Qi, FounderType (Chinese) Akaki Radmadze (Georgian) Pooja Saxena (Devanagari) José Scaglione Vaibhav Singh (Devanagari) Smich Smanloh (Thai) Shipeng Su, FounderType (Chinese) Liron Lavi Turkenich (Hebrew) Irene Vlachou (Greek) Junfang Wang, FounderType (Chinese) Anuthin Wongsunkakon (Thai) Consultancy Pilar Cano (Thai) Vera Evstafieva (Cyrillic) Borna Izadpanah (Arabic) Alexandra Korolkova (Cyrillic) Ben Mitchell (Lao & Thai) Dr Don Osborn (Latin Extended) Hrant Papazian (Armenian) Fiona Ross (Arabic & Devanagari) Vaibhav Singh (Devanagari) Adi Stern (Hebrew) Aleksander Sukiasov (Georgian) Translation & proofreading Shani Avni (Hebrew) Vera Evstafieva (Cyrillic) Sirin Gunkloy (Thai) Gor Jihanian (Armenian) Zhao Liu (Chinese) Akaki Radmadze (Georgian) Sengkeo Vangxiengvue (Lao) Quality assurance Azza Alameddine Ben Mitchell (Thai & Lao) Engineering Joancarles Casasín Suppakit Chalermlarp (Lao) Ying Luan (Chinese & Latin) Pooja Saxena (Devanagari) Smich Smanloh (Thai) Sonja Stange (Greek) Graphic design Rabab Charafeddine Roxane Gataud (Arabic) Pooja Saxena (Devanagari) Mint Tantisuwanna (Thai) Elena Veguillas (Art Editor) Motion Design Cecilia Brarda Copywriting Joshua Farmer -
Original Credits: Darden Studio is excited to share Birra Pils, a new free font designed by Mark De Winne. We were able to do this because of all our amazing friends, and the great Creative Commons footage and audio out there. Voice Over: Lin Ivey CC Footage: https://youtu.be/HtEus1AgVk0 https://youtu.be/4fY7nqmlqFs
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West: Brand-New Geometric Sans Serif Typeface // LLC56
Letter Library posted a publication in Type Specimens
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FDI Farbmeister: Letterpress meets digital typography // LLC49
Letter Library posted a publication in Type Specimens
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Original credits: “To mark the expansion of our multiscript Bree family, our friend Danielle Evans has created the sweetest video you’ll see this year — customary confections all painstakingly made by hand in the script of selected regions. Bree has expanded again — we’ve added Arabic, Thai, advanced Pinyin support, and refined our Vietnamese diacritics. To celebrate all this, we asked the incredibly talented Danielle Evans (Marmalade Bleue) to create a video showing off the opulence that is Bree in the sweetest way. Imbibe in the two brand new scripts, refined Vietnamese and Pinyin support, and all the deliciousness your eyes can handle! Our thanks also goes to Studio Z for sound design and Cecilia Brarda for finishing touches.”
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Original credits: Darden Studio is excited to share Birra Lambic, a new free font designed by Vera Evstafieva. Vika's work can be found at https://www.behance.net/VeraEvstafieva. https://www.dardenstudio.com/typeface... We were able to do this because of all our amazing friends, and the great Creative Commons footage and audio out there. Voice Over from John Hudson of Tiro Typeworks https://www.tiro.com/
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Original description: Inspired by the friendly and distinctive character of FF Scuba by Felix Braden and the newest EP from the rising star Tourist; we wanted to combine our passion for both type and music and explore a different way of ‘showing’ type. We are delighted to share with you our video for FF Scuba.